Monday 27 May 2013

Seven



7. 5/06/13



'The Flowering of Art Nouveau'

A talk by the artist Susan Finlay



Métropolitain  

Susan Finlay always paints in acrylic on shop-bought, pre-stretched canvases, while her more recent ceramic works were built by hand using cheap school clay. Both are intended to highlight the use of ‘poorer’ and hence ‘stagier’ materials, as well as the repetition of certain art nouveau motifs which reoccur across both the two and three-dimensional elements of her practice. Her work is very much concerned with the feminine (what Adolf Loos would term erotic) aspects of certain early modernisms, and in particular those which may have previously been dismissed as minor due to their engagement with graphic and/or sculptural elaboration, capriciousness and play. Simultaneously, the work acknowledges the construction of this, so-called, decadence, and in so doing consciously prevent the viewer from fully indulging in the worlds that it alludes to . . .

This talk centres on Susan Finlay's work from the previous three year years and its relationship to art nouveau.

Monday 13 May 2013

Six




6. 23/05/13

London Seizure

A two-part screening series
curated by Carmen Billows

Part OneUrban DISease


Mike Stubbs Cultural Quarter


London, as with many other urban centres, functions as an 'island of desire' in commonplace perception, advertising freedoms in lifestyle and self-fulfilment. But, the urban dweller must compensate for these luxuries with certain sacrifices. On the one hand seduced by the allure of the urban multitude, he has to on the other hand accept the city's pace and, often passively, a role in its systems of mediation, surveillance and control. 

The origins of a certain ‘urban DISease’ very often lie beyond grasp but are instead sensed as underlying and immaterial threats to the status quo. Adaptation, or a healthy sense of disregard is needed in order to adjust to an environment of constant shifts in social politics; here is it easy to unknowingly submit to the powers at play.

London Seizure, a two-part screening programme of artists’ moving image works suggests to take a step back from this hypnotic swirl. 

The artists featured in part 1, Urban DISease, use processes of close observation and contemplation to engage with their immediate surroundings. They share an interest in capturing instances of disruption in everyday social or political life and give a voice to a general sense of discomfort.  

The artists featured in part 2, Extension of the Zone of Operation, take an extra interest in current housing politics and regeneration processes that endanger interpersonal links and nurture isolation and individualism.

Contextualised within institutions in two London boroughs currently strongly affected by regeneration processes, this two-part project aims to trigger an exchange of voices from a Southwark to a Hackney Wick context. 

Urban DISease
John Smith, The Black Tower, 24 min., 1985-87.
Piotr Krzymowski, The shape of things to come, 6,20 min., 2012.
Alexander Costello, All you need to know right now (1), 8,27 min., 2001.
Claire Hope, Boy Nature, 1,30 min, 2009.
Emily Richardson, Block, 13 min, 2009.
Mike Stubbs, Cultural Quarter, 10 min, 2003.
Steven Ball, No-Way Street, 1 min, 2007.
Hector Castells, Film, (2012), 7.13 min, 2012.
Matthias Kispert, The Funeral of Baroness Thatcher, 4,09, 2013.

Followed by a Q&A with the artists and curator

Location:
Bermondsey Project
46 Willow Walk
London SE1 5SF
http://arttalksandtea.blogspot.co.uk/

Part 2: dates and location tbc; a detailed programme will be announced shortly.